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It’s zero degrees Celsius with a biting wind in Copenhagen, and Cecilie Bahnsen is swishing through the streets in a lightweight, voluminous coat trimmed with flowers. Underneath, she’s wearing a frilly black top and a pair of knee-length shorts. On her feet are a pair of flower-stamped boots; her miniature duffel bag is hung with three-dimensional petals. Beside her, Mie Ejdrup,…
