PARIS — Tracey Emin’s tiny bronze bird perched high on a pole at the very centre of the Loewe show space on Friday morning. Jonathan Anderson thought of the sculpture as the analogue of a different way to look at the world, in this case, a literal bird’s eye view. It’s something he’d been considering over the last few seasons at Loewe, which he called exercises in reduction: “Putting out ideas, like archetypes that you believe in.” He said that sometimes he wanted to…

