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Nicole Kidman won’t pretend that certainty and exuberance are at an all-time high in Hollywood. “Everything’s hard now,” she says. Yet she still just picks the scripts, like the erotic drama Babygirl, that speak to her. “If it’s seen as a risk, I’ll take these risks,” she says, “but I’m not going to hang too much on that because fear can set in.” Danielle Deadwyler’s strategy is to glide between genres, though frank stories about the past are a speciality: “I’m…
