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Back when a double-breasted blazer with over-stuffed shoulder pads announced a player was in the room, Ferrari’s Testarossa took center stage as the widest, boldest supercar imaginable. In charitable retrospect, the car was an aesthetic triumph in a decade that brought us pop culture kitsch like Patrick Nagel posters, Duran Duran, and the first season of Miami Vice, whose detective duo committed sartorial offenses as egregious as any crimes they solved.
The Testarossa was…
