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Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.
In Paul Thomas Anderson’s 2017 film Phantom Thread, ruthless 1950s dressmaker Reynolds Woodcock decompresses after a long day by changing out of his suit and into his pyjamas. But he doesn’t stop there. For Martinis and a casual home-cooked dinner of asparagus and butter, he tops his dusty-pink cotton sleepwear with a tweed blazer, a fine-gauge wool cardigan and…
