“It was a very emotional screening for us,” she continued. “It’s as if the film is suddenly born and it’s not yours anymore. It doesn’t belong to you anymore. It’s the end of something, and the beginning of something else.” Many of Winocour’s previous features, including 2012’s Augustine, 2015’s Mustang, and 2022’s Paris Memories, played at the festival as well. “It’s a bit surreal, but Toronto is really a place that is really special to my heart,” she said.
Vanity Fair and Four Seasons Celebrate TIFF’s 50th Anniversary
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