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Over the summer, I fell in love with Luca Guadagnino’s Suspiria. The remake of the 70s classic was, like many of Guadagnino’s films, fashion-led. Costume designer Giulia Piersanti created the wardrobes of young ballerinas, unknowingly training in a witches-coven-come-dance-academy, from scratch, drawing inspiration from Sibylle, the best-known fashion magazine in East Germany (she described the title as ‘a socialist version of Vogue.’) Dakota Johnson and Mia Goth train…
