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Paris Haute Couture Week has a way of clarifying exactly what fashion is capable of when it refuses to set limits on itself. This week, no collection made that case more forcefully than Jonathan Anderson’s second Haute Couture showing for Dior — a collection titled, with characteristic precision, Grammar of Forms, and one that drew its entire language from the work of American sculptor Lynda Benglis.
Photo Credit: Adrien Dirand
Benglis, one of the most significant…
