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Tyler, the Creator has always done things his own way. There’s something borderline Dylan-esque about the extent to which he endeavors to avoid being perceived as just one thing, as having his routine figured out. Whether it’s experimenting with new sonic experiments on his latest LP Don’t Tap the Glass (released less than a year after his acclaimed Chromakopia), or making his big-screen debut in an auteur project like Josh Safdie’s upcoming Marty Supreme, he’s always leaned into…
